Goldie 2020 Film Izle Türkçe Dublaj

Goldie Film Izle Türkçe Dublaj 2020

süreklilik : 124 saat tutmak Abstimmungsergebnis
seçim sonucu adet : 2.8/10 (62387 önermek)
ses rengi : M1V 1440p
Bluray
görünüm : 7063
beceri : Absurd , Trivia
lisan : ME,UA,DO,MY,SY,BH,RW,GM,CMR, CZE, DZA, NZL, POL
katılmak : 3.6/10 (22614 Stimmen,
)

Goldie 2020 Film Izle Türkçe Dublaj

Goldie Film Izle Türkçe Dublaj--hd-FLA-2020-MPE-1080p-ASF-ganzer film-ASF-Bluray-mit untertitel-TVrip-BRRip-MPEG-1.mp4

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[HD] Goldie 2020 Film Izle Türkçe Dublaj

Kısa film

Harcandı : $333,086,297

Gelir : $894,485,411

Kategoriler : Zeit - initiativ Klassische Verzweiflung , Geschichte - Skepsis , Scary - Bondage , Ziel - Weihnachten

Üretici Ülke : Weißrussland

Prodüksiyon : Lexerot Entertainment

Goldie, a precocious teenager in a family shelter, wages war against the system to keep her sisters together while she pursues her dreams of being a dancer. This is a story about displaced youth, ambition, and maintaining your spirit in the face of insurmountable obstacles.
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Half Nelson 2006 Film Izle Türkçe Dublaj

Half Nelson Film Izle Türkçe Dublaj 2006

süre : 138 zabıt tutmak Wahlstimme
seçim sonucu adet : 8.8/10 (16256 oy vermek)
kabiliyet : AVCHD 1080p
TVrip
görüş : 7694
sanatsal : Extrem , Verrückt
mesleki dil : ID,OM,HT,TH,MC,CK,AS,CD,TUN, DEU, COM, DZA, CYM
saymak : 9.0/10 (17056 Votum)

Half Nelson 2006 Film Izle Türkçe Dublaj

Half Nelson Film Izle Türkçe Dublaj-imdb-puanı-ganzer film-2006-italienisch-englisch-AAF-MP4-hd stream-HDTV-Sonics-DDP-deutsch-mit untertitel-auf italienisch.mp4

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[HD] Half Nelson 2006 Film Izle Türkçe Dublaj

Kısa film

Harcandı : $239,906,669

Gelir : $938,517,292

Kategoriler : Scheitern - Schauplätze , Tod - Hoffnung , Kurzer Rock - Demut , Raub - Betroffene Ethik

Üretici Ülke : Nevis

Prodüksiyon : Calidra BV

Despite his dedication to the junior-high students who fill his classroom, idealistic teacher Dan Dunne leads a secret life of addiction that the majority of his students will never know. But things change when a troubled student Drey makes a startling discovery of his secret life, causing a tenuous bond between the two that could either end disastrously or provide a catalyst of hope.
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Escape Room 2017 Film Izle Türkçe Dublaj

Escape Room Film Izle Türkçe Dublaj 2017

süreç : 128 an Abstimmung
oylanan şey tip : 1.6/10 (36706 oylayarak kararlaştırmak)
bünye : DAT 1080p
HDTV
görmek : 4097
sanat : Schule , Menschliche Natur
lisan : PT,BI,GG,MD,NG,NP,HR,DJ,BHS, NGA, NIU, MNG, AFG
müzik parçası : 3.9/10 (83659 Wählerstimme)

Escape Room 2017 Film Izle Türkçe Dublaj

Escape Room Film Izle Türkçe Dublaj-motor-sahnesi-untertitel-2017-BDRip-Blu-ray-M4V-online schauen-AVCHD-Dolby Digital-italienisch-MPEG-2-online anschauen-deutsch.mp4

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[HD] Escape Room 2017 Film Izle Türkçe Dublaj

Kısa film

Harcandı : $160,201,829

Gelir : $901,654,077

Kategoriler : dumm - Mutter Stolz Apokalypse , Chrestomathie - Horrorfilm , Film Animation - Liebesfilm , Raum - Guilty

Üretici Ülke : Bahamas

Prodüksiyon : Churchill Films

Four friends who partake in a popular Los Angeles escape room find themselves stuck with a demonically possessed killer. They have less than an hour to solve the puzzles needed to escape the room alive.
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John Wick: Chapter 2 2017 Film Izle Türkçe Dublaj

John Wick: Chapter 2 Film Izle Türkçe Dublaj 2017

süreç : 147 an Stimmen,

oy hoş şey : 4.3/10 (90354 oy kullanmak)
cins : M4V 1440p
VHSRip
gösterme : 1077
sanatsal : Entfremdung , Verpflichtung
dil : AF,BQ,PS,VE,AZ,IN,DO,CC,NZL, MAC, GUM, MMR, LTU
adet : 7.6/10 (36728 Abstimmung)

John Wick: Chapter 2 2017 Film Izle Türkçe Dublaj

John Wick: Chapter 2 Film Izle Türkçe Dublaj-izmir-online anschauen-2017-720p-online anschauen-WMV-deutsch-untertitel-auf englisch-deutsch-online schauen-AAF-DTS.mp4

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~NO SPOILERS~

This movie essentially starts right after the first one ends, right at the top-down view of New York City. Dark humor abounds,
bullets rip through head and bodies, and Wick is unstoppable.

This film should be held as the gold standard for action movies. There is very little camera shake during fights and Reeves clearly has spent a lot of time preparing for this role. You can see nearly every take-down, every gunshot, and Wick has to reload at inconvenient times in a realistic fashion which also adds to the hilarity of the following kills.

Overall the acting performances were solid. Reeves isn't known for having an extremely wide range, but his devotion to making this movie a kick-ass martial arts production is second to none. I felt the villain was a bit on the weak side though, but he did his role justice. Ian McShane's character remains the strongest especially combined with the last film.

The lighting is superb! There's a red-blue theme that is in nearly every nightclub and darkly lit areas and its absolutely lovely to look at. Overall cinematography is very good.

Definitely worth seeing!
Grows the world. Grows the legend. But the story itself and the man himself remain firmly retreading the steps they took in the first outing. Not too harsh a criticism though, 'cause that one was damn good too.

_Final rating:★★★½ - I strongly recommend you make the time._
I was really hoping I would like this movie. I so enjoyed the first one. However, when the credits started to roll at the end I found myself wondering “What the fuck happened?”.

Be warned that the rest of this review might contain a spoiler or two.

One thing I really liked about the first movie was, as you can read in my review about that one, that it was a no bullshit, kill the bad guys and no emotional regrets, kind of movie. John Wick went all out for revenge and at the same time we got introduced into this cool world of assassins, safe havens, hidden “shops” for guns, classy tailors providing bullet proof costumes etc. etc.

In this movie he is forced onto a job by a real asshole. He is constantly reluctant and walks around with a sad puppy face all the time. Of course said asshole screws him halfway through the movie and that would have been a good time to start get back on track with some decent payback story but unfortunately the script writers thought otherwise. After some more of the same shit no one really wins in the end (although one of the two adversaries suffer a more “permanent” setback than the other).

Worse is that, in my opinion, in their eager to put together some crap drama this movie essentially screwed up the possibilities for a John Wick 3 unless they pull some rather big surprise rabbit out of the hat for that one.

There are plenty of action in the movie of course but also her I feel that it was a bit too over the top. No one, absolutely no one, seems to be able to shoot straight except for John Wick. This makes the action feel more like a parody a’la Kill Bill than a more serious action, revenge movie. Yes it is cool to watch but only up to a point. Heck, if this would have been a Star Trek (TOS) episode Hollywood’s entire supply of red shirts would have been used up on a single movie. While I am bitching I should perhaps also mention that the amount of beating that John Wick seems to be able to absorb is … unbelievable.

I did enjoy the movie but not at all as much as I hoped I would. To me it has a completely different spirit than what I remember from the first one and the ending is, again to me at least, not a happy one.

Having said that the action sequences are as cool, crazy but cool, and violent as they are unbelievable. I found it a bit sad that they wrecked his nice car though.

Overall a enjoyable movie but no match for the first chapter and I cannot bring myself to give it more than 3 out of 5 stars.
**All eyes on him and all guns pointed at him.**

It was not an attracting title for a sequel. The first film was good, completely an unexpected, but I was expecting this one, even though not as much as I was excited to see 'Jack Reacher 2'. That film was good, but did not meet with its first film's merit. And this sequel, really amazing. One of best follow-up flick and better than the original. That feat considered very rare in cinema and here is the one.

Entirely different than the first. I meant the storyline. A new action, a new adventure, and even on a bigger scale. Though the initial parts were average. I totally disliked that killing assignment Mr. Wick took in his hand, but what followed after made the film great, definitely not to be missed for that alone. Especially if you are an ardent action film fan. For me, that reminded me 'Kill Bill', but they are not the same kind, except the fighting concept with hundreds.

Continued from a couple of days later where the previous narration had ended. Now the retired assassin, John Wick forced to take a final job, but soon he finds he was backstabbed. Every eye on the town on him and every gun pointing at him, there's no way he could get out of it easily. So, he has to fight them all, just in order to survive. Then what comes later are even more aggressive screenplay that's ends with left open the door for the third film.

Now this became a stylish franchise. That's what happens when a stuntman takes up the directional job for an action flick. He did not write it, but he knew exactly how to create them, technically perfectly. Besides, he got wonderful, dedicated actors to achieve that. Not just Reeves, but all were awesome. Believe the third film would be a kick-ass, particularly the pace that could match with likes 'Crank'. Just watch it already and be prepared for the next, the mega finale.

_8/10_
Picking almost right where the previous film ended, "John Wick Chapter 2" deals with the consequences of Wick's return to the assassin life and how he got out to begin with.

As expected, it expands on the mythology hinted at in the first movie, with the revelation that there's a high council of sorts, other Continental hotels around the world, and a very widespread network of assassins.

Also as expected, it ups the ante with bigger action sequences, and a much higher body count. We get to know more about some rival assassins played quite brilliantly by Common and Ruby Rose (whose character communicates solely through sign language; in many cases, this kind of thing is used as a gimmick to make the audience remember a character when they have nothing else to distinguish them, but it's not the case here and is used only as an aspect of the character; smartly done). Keanu Reeves...let's the Reeves of old come through a couple times, with a couple of bizarre and inappropriate inflections. Ian McShane's Winston expands a little bit, although he still refers to John as Jonathan, which is just wrong. If it's supposed to be some kind of an in-joke with them, they don't reveal anything about it. Again, I think there's more going on with Lance Reddick's hotel manager than they're letting on. And I was a little disappointed that Peter Stormare wasn't in more of the film, as he's always fun.

Again, the world is very wide, and almost seems like everyone is involved with this underworld. There is an indication that that's not the case here and there, but we never get to meet anyone who doesn't know what's going on, which keeps some of that suspicion up.

The plot follows a pretty basic structure. Actually, it follows a pretty rigid structure. In a two hour movie, it can be broken down almost exactly into half-hour sequences, something that struck me as a little odd. There are some minor plot twist. Nothing major or out of the blue, but at least there was an attempt.

So now we come down to it. Is it better or worse than the first movie? Well, I would have to say "yes". It definitely ups the ante and is a much bigger film than the first movie, expanding on the mythology and the characters. At the same time, it falls into the trap that a lot of these bigger, badder sequels fall into, which is that with the bigger scope, it feels like they have to use a bigger yoke on everything in order to keep in reined in and from going off the rails on its own. In fact, they may have expanded the world too quickly, going from a city in the first movie to the entire globe in the second. That rapid expansion makes that bigger yoke much more percpetible and, while the ambition is admirable, at times I wondered if they may have bitten off more than they could chew.

Still an enjoyable action film, and if you liked the first film, you'll most likely enjoy this one.

"

[HD] John Wick: Chapter 2 2017 Film Izle Türkçe Dublaj

Kısa film

Harcandı : $186,112,494

Gelir : $840,090,793

Kategoriler : Kontroverse - Terrorismus , Videospiele - Idee, Schwert - Lebenslauf , Blasphemie - Guilty

Üretici Ülke : Kasachstan

Prodüksiyon : KOG Films

John Wick is forced out of retirement by a former associate looking to seize control of a shadowy international assassins’ guild. Bound by a blood oath to aid him, Wick travels to Rome and does battle against some of the world’s most dangerous killers.
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Spider 2002 Film Izle Türkçe Dublaj

Spider Film Izle Türkçe Dublaj 2002

süreç : 122 saat tutmak Votum
oylama miktar : 0.0/10 (97207 oy kullanmak)
nitelik : MPG 1440p
BDRip
seyretmek : 9855
yaratıcılık : Trennung , Porträt
mesleki dil : SJ,DK,GS,AF,GH,MV,DK,BZ,SPM, BWA, IMN, TTO, GAB
tip : 0.9/10 (20034 Wahlstimme)

Spider 2002 Film Izle Türkçe Dublaj

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[HD] Spider 2002 Film Izle Türkçe Dublaj

Kısa film

Harcandı : $005,032,413

Gelir : $872,718,123

Kategoriler : Raub - Brüder , Scary - Unabhängigkeit , Great - einfallsreich , Europa - Guerilla

Üretici Ülke : Palau

Prodüksiyon : Curtain Call

A mentally disturbed man takes residence in a halfway house. His mind gradually slips back into the realm created by his illness, where he replays a key part of his childhood.
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Exit Wounds 2001 Film Izle Türkçe Dublaj

Exit Wounds Film Izle Türkçe Dublaj 2001

süreç : 118 dakika Stimmrecht
oy tip : 6.8/10 (28779 oylayarak kararlaştırmak)
yetenek : ASF 1080p
BDRip
incelemek : 1467
bilim dalı : Geschichte , Wirtschaft
mesleki dil : TV,QA,PG,LI,WS,DJ,AU,NU,LAO, HRV, MEX, SRB, LBR
tip : 1.2/10 (32339 Wahlresultat)

Exit Wounds 2001 Film Izle Türkçe Dublaj

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[HD] Exit Wounds 2001 Film Izle Türkçe Dublaj

Kısa film

Harcandı : $271,307,563

Gelir : $692,095,771

Kategoriler : Europa - Tapferkeit , Film Animation - Einfachheit , Scheitern - Benzin , Apathie - Idee

Üretici Ülke : Vereinigte Staaten

Prodüksiyon : Studio 1+1

Maverick cop Orin Boyd always brings down the domestic terrorists he tracks, but he ruffles feathers with his unorthodox techniques -- and soon finds himself reassigned to the toughest district in Detroit. When he discovers a group of detectives secretly operating a drug ring, Boyd joins forces with an unlikely ally -- gangster Latrell Walker -- to bring down the rotten cops.
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And Then We Danced 2019 Film Izle Türkçe Dublaj

And Then We Danced Film Izle Türkçe Dublaj 2019

devam : 185 saat tutmak Wahlresultat
oylanan şey tip : 4.4/10 (24740 oylamak)
mizaç : MPG 1080p
TVrip
görüş : 4858
bilim dalı : Nostalgie , Die Bibel
dil : QA,AL,SY,MF,BH,AL,JP,VE,CRI, VAT, VEN, SJM, PYF
numara : 7.8/10 (31392 Wahlresultat)

And Then We Danced 2019 Film Izle Türkçe Dublaj

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[HD] And Then We Danced 2019 Film Izle Türkçe Dublaj

Kısa film

Harcandı : $587,607,101

Gelir : $745,751,285

Kategoriler : Armee - Potes , Völkermord - Césarisé , Blasphemie - Vernachlässigung , Sozialdrama - Raumschiff

Üretici Ülke : Kenia

Prodüksiyon : Fox Reality

Merab has been training since a young age at the National Georgian Ensemble with his dance partner Mary. His world is suddenly turned upside down when the charismatic and carefree Irakli arrives and becomes both his strongest rival and desire. In this conservative setting Merab finds himself having to break free and risk it all.
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Vice 2018 Film Izle Türkçe Dublaj

Vice Film Izle Türkçe Dublaj 2018

süreç : 186 saat tutmak Stimmen,

oylama numara : 6.8/10 (19172 oy vermek)
soyluluk : M2V 1440p
VHSRip
bakmak : 5824
yaratıcılık : Psychologisches Drama , Verschwörung
lisan : KG,SN,BJ,TT,CH,ME,TD,GB,FRA, LBN, BLZ, BIH, DZA
katılmak : 2.2/10 (55650 Stimmabgabe)

Vice 2018 Film Izle Türkçe Dublaj

Vice Film Izle Türkçe Dublaj-kanyon-MPEG-1-2018-BDRip-M2V-M4V-1440p-untertitel-ganzer film-blu ray-WEB-DL-stream hd-uncut.mp4

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Being Australian and under 30, Dick Cheney is not someone I ever payed a lot of attention to. I knew he shot that dude and the dude he shot is the one who had to apologise somehow, and that he was one of the evil puppet-master types who stood behind George W. That's it. So while Cheney as a subject matter isn't something I can say I **care** about, it's also not material that's old hat to me either. I ended up watching it only because that's what my mate wanted to do for his birthday, but I'm glad I did. I did not **love** _Vice_, but for the sort of thing I don't normally gravitate towards, I was riveted.

_Final rating:★★★ - I liked it. Would personally recommend you give it a go._
**_Pretty enjoyable, very funny, but doesn't tell us anything we didn't already know_**

> _We have guaranteed freedom, security, and peace for a larger share of humanity than has any other nation in all of history. There is no other like us. There never has been. We are, as a matter of empirical fact and undeniable history, the greatest force for good the world has ever known._

- Dick Cheney; _Exceptional: Why the World Needs a Powerful America_ (2015)

As a non-American, I've always been fascinated by the concept of a two party system. Breeding rancour and division by its very nature, with only two sides from which to choose on any issue, the more controversial a subject is, the wider the ideological gap becomes. I'm not sure if it's a cause or a symptom, but intricately intertwined with such deep-rooted partisanship is the fact that everyone seems to be preaching to their own choir; Republicans have Sean Hannity, Tucker Carlson, and Ben Shapiro (and Alex Jones), whilst Democrats have Bill Maher, Anderson Cooper, and Chris Cuomo (and Cenk Uygar). The problem is that the people watching _Fox and Friends_ and reading _Breitbart_ are already staunchly on the right, whilst those watching CNN and reading _The New York Times_ are already firmly on the left; everyone is sermonising to the already converted, and no one is listening to what the other camp is saying. Written and directed by Adam McKay, _Vice_ is a good example of this; it's a left-leaning film made by left-leaning people for a left-leaning audience. When McKay was asked by the _ACLU_ if he had any theories as to why Jared Kushner and Ivanka Trump allegedly walked out of a screening, his response was telling; "_I think the bigger question is: Why did they buy two tickets and walk in?_"

Ostensibly a biopic of former Vice President Dick Cheney, _Vice_ argues that he was actually the _de facto_ President, with George W. Bush taking a back seat, particularly in the globally crucial years from 2001-2003. Very much a political satire in the vein of Decimus Iunius Iuvenalis and Jonathan Swift, or films such as Barry Levinson's _Wag the Dog_ and Joe Dante's _The Second Civil War_ (both 1997), _Vice_ eschews conventional narrative structure, breaks the fourth wall regularly, intercuts shots of fly-fishing and animals hunting into the middle of tense plot-heavy dialogue scenes, features several self-reflexive references to itself, has a false ending, has a scene in which characters speak in iambic pentameter, and in a deleted scene, the entire cast breaks into song. Much as was the case with recent "based on a true story" films such as Spike Lee's _BlacKkKlansman_ and Jason Reitman's _The Front Runner_ (both 2018), _Vice_ has one eye on the here and now, using Cheney's story as a vehicle to examine the current political situation in the US, positing that without the power-mad Dick Cheney and the Unitary Executive Theory, there would never have been a Donald Trump. However, although there are many individual moments of brilliance, the film is unsure if it's a straightforward biopic or an excoriating satire, ultimately finding a kind of ideological middle ground that mixes comedy with pathos, not always successfully.

Narrated by Kurt (Jesse Plemons), a fictitious veteran of the Afghanistan and Iraq Wars, who claims to have a unique connection to Cheney, the film begins in Wyoming in 1963 as a young Dick Cheney (Christian Bale) is arrested for drunk driving for the second time. It then cuts to the Presidential Emergency Operations Center in the immediate aftermath of 9/11, as Cheney orders the shooting down of any suspicious commercial airliners, despite President Bush (who was en route to Washington from Florida) not signing off on such an order. How Cheney got from being a drunk in 1963 to taking control of the government in 2001 is the film's primary focus, introducing us to a huge cast of characters (played by an extraordinary ensemble), all of whom feature in Cheney's rise to power in some manner – Lynne Vincent (Amy Adams), Cheney's fiancée and later wife; Donald Rumsfeld (Steve Carell), under whom Cheney worked from 1969, later White House Chief of Staff (1970-1971) and Secretary of Defense (1975-1977 and 2001-2006); Gerald Ford (Bill Camp), President (1974-1977), for whom Cheney was White House Chief of Staff; George H.W. Bush (John Hillner), President (1989-1993), for whom Cheney was Secretary for Defense; Liz (Lily Rabe) and Mary (Allison Pill), Cheney's two daughters; Roger Ailes (Kyle S. More), founder of Fox News; George W. Bush (Sam Rockwell), President (2001-2009), for whom Cheney was Vice President; Scooter Libby (Justin Kirk), Chief of Staff to the Vice President (2001-2005); David Addington (Don McManus), Cheney's legal counsel (2001-2005) and Chief of Staff to the Vice President (2005-2009); Colin Powell (Tyler Perry), Secretary of State (2001-2005); Condoleezza Rice (LiaGay Hamilton), National Security Advisor (2001-2005) and Secretary of State (2005-2009); Paul Wolfowitz (Eddie Marsan), Deputy Secretary of Defense (2001-2005); George Tenet (Stephen Adly Guirgis), Director of Central Intelligence (1996-2004); Karl Rove (Joseph Beck), Senior Advisor to the President (2001-2007); Trent Lott (Paul Perri), Senate Minority Leader (2001-2003); Jay Bybee (Brandon Firla), Assistant Attorney General (2001-2003); and John Yoo (Paul Yoo) Deputy Assistant Attorney General (2001-2003). Within this framework, the film hits all the beats you'd expect – the bombing of Cambodia (1969-1970); the formation of Al-Qaeda (1988); the outbreak of the Somali Civil War (1988); the invasion of Panama (1989); the Gulf War (1990-1991); Cheney's time as CEO of Halliburton (1995-2000); 9/11 and the invasion of Afghanistan (2001); the "Torture Memos" and "enhanced interrogation techniques" (2002); the invasion of Iraq (2003); the Plame affair (2003); the accidental shooting of Harry Whittington (2006); the rise of IS; Cheney's 13% approval rating upon leaving office (2009); his heart transplant (2012); and the breakdown in Mary's relationship with her family when Cheney gives Liz permission to oppose gay marriage whilst running for the Senate, despite Mary being a married to a woman (2013).

In writing Vice, McKay focused on five main sources – David Corn's _The Lies of George W. Bush: Mastering the Politics of Deception_ (2003), Ron Suskind's _The One Percent Doctrine: Deep Inside America's Pursuit of Its Enemies Since 9/11_ (2006), Michael Isikoff and David Corn's _Hubris: The Inside Story of Spin, Scandal, and the Selling of the Iraq War_ (2006), Barton Gellman's _Angler: The Cheney Vice Presidency_ (2008), and Jane Mayer's _The Dark Side: The Inside Story of How the War on Terror Turned Into a War on American Ideals_ (2008).

_Vice_ presents Cheney as devoid of ideology, with a Zelig-esque ability to alter his manner so as to best deal with whomever it is in whose company he finds himself. In this sense, his political ambition is portrayed as cynical and mercenary; McKay's Cheney has no interest in attaining power so as to influence policy or stimulate ideological change, he is obsessed only with power-for-power's sake. One of the most telling scenes in the film happens quite early when he learns that President Richard Nixon and National Security Advisor Henry Kissinger are planning to bomb Cambodia without going through Congress. Asking Rumsfeld, "_what do we believe?_", he is met by Rumsfeld laughing hysterically at being asked such a ridiculous question. Speaking to The New Yorker, McKay explains,

> _what I found – and I know there are people who disagree with this – was a surprising lack of ideology. I found beliefs that would flip and flop, based on what was convenient and what was strategically useful._

However, although the film presents Cheney as lacking ideology, it does show him as passionate when he adopts (and later usurps) the Unitary Executive Theory (essentially, the idea that the President should have virtually unchecked power to direct the Executive Branch, particularly during times of crisis). McKay tells _The New Yorker_,

> _at one point, he even says the President should have certain monarchical prerogatives._

Speaking to _ACLU_, he says of Cheney's adoption of the Theory,

> _you see it constantly throughout his career – his attempts to expand executive reach, expand executive authority, to operate without transparency, to operate with impunity._

Key lines in this respect include Cheney arguing, "_if the president does it, it's legal_", and, when discussing the issue of the US using torture, "_if the US does it, by definition, it can't be torture_".

Nowhere is his character shown as more ruthless than in a scene towards the end of the film. In 2013, Liz is running for the Senate when a TV advert from a group affiliated with the incumbent Senator for Wyoming, Mike Enzi, claimed that she "_aggressively promotes gay marriage_". Mary had been married to Heather Poe since 2012, and although Cheney and Liz knew it went against their party's doctrines, they had supported her. However, the day after the advert aired, Liz appeared on _Fox News Sunday_ and said she did not support gay marriage. The following day, Cheney and Lynne released a statement supporting Liz, and causing a rift between the family and Mary which remains to this day. The film features a scene the night before Liz goes on TV, in which she asks permission to say she opposes gay marriage. In a chilling moment lifted right out of Francis Ford Coppola's _The Godfather Part II_ (1974), Cheney indicates his approval with a single silent nod of his head. Speaking to _ACLU_ about this scene, McKay states,

> _that to me is what made it a complete and total tragedy and that's the final kind of tally, the final destructive count of power. Is what he did to the country, what he did to countries like Iraq, punching holes in the Geneva Convention, what he did to the checks and balances of our democracy, what he did to the spirit of the American voter, the spirit of the American nation. And then the final thing, the tools that he used_ […] _eventually took down his own family. So to me at that point the tragedy was complete on every level: personal, family, country, world._

Much as in _BlacKkKlansman_, _Vice_ concludes with a haunting montage that brings the story up to date, showing some of the long-term effects of the Bush-Cheney years (instability in the Middle East, irreparable damage to the environment, the rise of IS). In relation to the here and now, although Trump is never explicitly mentioned (and is only shown for a split second in archive footage), McKay is unafraid to admit that the film is not entirely focused on the past. Speaking to the _New York Times_ about Cheney's dismantling of executive checks on power, McKay states,

> _Cheney was the expert safecracker who opened up the safe, and now the orangutan is in there, throwing around the money and the jewels._

He also sees the film as something of a corrective, a reminder of just how bad it was during Bush's time in office, telling _ACLU_

> _somewhere along the line, Donald Trump got elected, and all of a sudden we started hearing people say, "Hey, I kind of miss George W. Bush. You know, he wasn't that bad, him and Cheney." And then I really felt like I got to make the movie. I was like, this is crazy that people are saying this._

As with McKay's previous film, _The Big Short_ (2015), _Vice_ is aesthetically audacious. While there are fewer self-reflexive celebratory cameos explaining difficult terminology in direct-to-camera monologues (sadly, there's no Margot Robbie in a bath this time around), the film is edited in such a way as to remind me of Oliver Stone's "horizontal editing" in films such as _JFK_ (1991), _Natural Born Killers_ (1994), _Nixon_ (1995), and _U-Turn_ (1997). It's no coincidence that Vice was cut by Hank Corwin, who cut all of the above except _JFK_. This style of hyperkinetic editing can be seen throughout the film. For example, as Chaney attempts to manipulate Bush into agreeing to give him more power, there are intercepts of fly-fishing. It's not subtle, but it is effective. Indeed, this recalls an earlier scene when Cheney is teaching his daughters to fish, explaining,

> _you have to find out what the fish wants, and then you use that to catch the fish._

Elsewhere, much as Stone uses Coke commercials and footage from old films in _Natural Born Killers_, Vice features excerpts from the Budweiser "Whassup?" commercial (1999) and _Survivor_. In another scene, when Cheney first learns of the Unitary Executive Theory from Antonin Scalia (Matthew Jacobs), he immediately realises it is his road to power, and the film cuts to a lion bringing down a gazelle. For me though, some of the most effective editing in the film is more conventional. One particularly strong example is as Bush declares war on Iraq, the camera tilts down to show his leg is shaking. The film then cuts to a shot of an Iraqi civilian's leg shaking as the bombs begin to drop.

Also similar to _The Big Short_ is the film's sense of humour, with a tone of irreverence established from the very beginning, as the opening legend states,

> _the following is a true story. Or as true as it can be given that Dick Cheney is known as one of the most secretive leaders in recent history. But we did our fucking best._

A particularly sardonic scene comes about an hour in, as the film shows Cheney stepping away from politics in 1993 and later turning down Bush when he asks him to be his running mate in 2000. At this point, the legend explains that Cheney had chosen his family over politics, and that he happily lived out his days in Wyoming, becoming known as a great philanthropist and fly fisherman. As the Cheneys gather around a family barbeque, triumphant music swells, and the closing credits start to roll, only for the movie to interrupt itself, pointing out that that's not what happened at all, and then continuing with the narrative. It's a very meta technique, and one which both mocks feel-good biopics, whilst also providing a sly criticism of Cheney himself – had he not returned in 2000, the world could have had this happy ending.

Another very funny sequence sees Cheney and Lynne in bed discussing whether or not he should accept Bush's offer, with the narrator explaining,

> _sadly there is no real way to know exactly what was going on with the Cheneys at this history-changing moment. We can't just snap into a Shakespearean soliloquy that dramatises every feeling and emotion. That's just not the way the world works._

This is immediately followed by Cheney and Lynne speaking in _faux_-Shakespearean blank verse ("_Hast blindness usurped vision in you my wife?_", "_Mine own blood and will are yours til pierc'd be the last soldier's breastplate, spilling open its jellied ruby treasures_") as they work themselves up into a sexual frenzy (although technically, this is a duologue, not a soliloquy). There is also a scene in which Cheney meets two oil executives, whose faces are blurred out, and whose names are bleeped every time they are spoken. In another scene, a waiter (Alfred Molina), reads from a menu that features various forms of Cheney-endorsed torture;

> _tonight, we're offering the enemy combatant, whereby a person is not a prisoner of war, or a criminal, which means, of course, that he has absolutely no protection under the law._

After listening to their options, Cheney gleefully declares, "_we'll take it all_". There is also a hilarious mid-credit scene, which sees a focus group descend into chaos when a conservative calls a liberal a "_libtard_", prompting a mass brawl. Ignoring the fight, however, are two young girls who are instead interested only in speculating as to the quality of the new _Fast & the Furious_ film.

For all that, however, _Vice_ isn't a patch on _The Big Short_, for a number of reasons. For example, whereas in _The Big Short_, the self-reflexive _Tristram Shandy_-style narrative structure worked to the film's advantage, providing a way into the complex story, here it has the exact opposite effect, oftentimes distracting from McKay's thematic concerns, preventing the film from focusing on telling us how (and why) Cheney exploited loopholes in executive power to restructure US foreign policy. McKay is also less successful at moving from scenes of quiet tragedy to scenes of comedy than he was in _The Big Short_.

The most egregious problem, however, is that the film fails to give any kind of psychological verisimilitude or interiority to Cheney. Presenting him in an almost robotic manner, there is very little on what drives him, depicting his various deeds without offering anything cogent in terms of his motivations. Is he simply an ideologically-weak opportunist? Is he an evil megalomaniac fuelled by a deeper purpose, and if so, what purpose, and how? Could it all really have been about power, viewing the global geopolitical sphere as his own personal playground and nothing more? And if the film is arguing this, suggesting that this man, responsible for so much pain and suffering, did it all simply because he liked power, isn't that to downplay his agency, to allow one to argue that he didn't really know how much damage he was causing? Depriving him of psychology weakens any attempt to censure his actions. The film's Cheney is ultimately unknowable, and that makes his acts more easily forgivable. The argument that it was all because of power and greed really does next-to-nothing to help explain the man. And in any case, if we accept the thesis that Cheney cared only for power, then surely he warrants serious moral scrutiny, not a self-reflexive and, at times, self-congratulatory narrative that assumes the audience agrees with it before it has even said anything.

_Vice_ traces all of Cheney's acts back to Lynne dressing him down when he was younger, suggesting that without her prodding, this unambitious two-time Yale dropout would never have gotten into politics in the first place (it's telling, perhaps, that Lynne is unenthusiastic when she learns Cheney is thinking of accepting Bush's offer to be his running mate, pointing out, "_the VP just sits around and waits for the president to die_"). But to reduce all of it to being told off by wife, seems far too easy, although it could, I suppose, be cited as an example of the banality of evil. Except that the film's Cheney is anything but banal. In fact, he's terrifying.

Cheney pressured the CIA to find links between Al-Qaeda and Saddam Hussein so as to justify invading Iraq. He oversaw the public relations campaign to build popular support for the war. He encouraged the torture of terror suspects all the while denying it was torture. He was responsible for the worst strategic blunder in US history, the growth of a domestic surveillance state, the dictatorialisation of the office of the President, and the deaths of 4,000 American troops and at least 100,000 Iraqi civilians, although possibly as many as 500,000. His contempt for and willingness to rewrite the rule of law makes him a precursor of Trump. Positing him as a man who was power-mad and little else, _Vice_ remains always on the outside, trying to listen through the wall, never managing to open the door and expose his actual inner workings. The comedy and structural experimentation make it entertaining as a film, but it tells us very little about Cheney that we didn't already know. Strip away the artifice, and you'll find it doesn't have a huge amount to say. Never attaining the scale of tragedy to which it clearly aspires, the film functions instead to remind critics of Bush's cabinet why they became critics of Bush's cabinet. In the end, rather than exposing Cheney's dark soul, the film argues that he doesn't have one. And that is a far less interesting thesis.

"

[HD] Vice 2018 Film Izle Türkçe Dublaj

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Kategoriler : Zynisch - Demut , Hölle - Preis , Reden - Immortality , Trivia - Speech

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Prodüksiyon : PMA Productions

George W. Bush picks Dick Cheney, the CEO of Halliburton Co., to be his Republican running mate in the 2000 presidential election. No stranger to politics, Cheney's impressive résumé includes stints as White House chief of staff, House Minority Whip and defense secretary. When Bush wins by a narrow margin, Cheney begins to use his newfound power to help reshape the country and the world.
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Kategoriler : Mathematik - Documenteur Schwarz , Sozialdrama - Biographie , Strategie - Tapferkeit , Quinqui - Schauplätze

Üretici Ülke : Araber

Prodüksiyon : Flying Gherkin

For Pablo Escobar family is everything. When young surfer Nick falls for Escobar's niece, Maria, he finds his life on the line when he's pulled into the dangerous world of the family business.
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